interview
Peter Greste on the deterioration of Australian press freedom
After spending 400 days in an Egyptian prison for news reporting that threatened national security, award-winning journalist Peter Greste is hyper-aware of the importance of a free press.
Independent Play 05: Stevan with ‘Timee’
This month we welcome Stevan, soul prodigy from the South, to play a raw acoustic version of his breakout single ‘Timee’.
Adrianne Lenker of Big Thief talks folk and front-womaning on For The Record
Big Thief’s soft-spoken songwriting powerhouse Adrianne Lenker talks U.F.O.F. on F.T.R.
Bhenji Ra on Maintaining the Integrity of the Vogue Ball
Sissy Ball curator and House of Slé mother Bhenji Ra opens up about the integrity of the vogue ball.
Country VIC to Brooklyn NYC and everything in between with Luluc
Luluc return to Jack Off with Jack Shit to chat origins, the liminal realities of life on the road and to play recent single ‘Me and Jasper’ live on air.
Feature Interview: FKA twigs on harnessing the power of vulnerability
Tanya Ali talks to FKA twigs in the pop icon’s first interview since releasing Cellophane, and takes you through the majestic Sydney debut of twigs’ show Magdalene.
Reconciliation Australia’s Karen Mundine on the meaning of reconciliation
On the first day of National Reconciliation Week, Bridie Tanner spoke with the CEO of Reconciliation Australia about future steps needed.
Interview: Holly Herndon on ‘PROTO’ and averting dystopia in the Protocol Era
PROTO is Holly Herndon’s breathtaking 3rd album, made in collaboration with an AI developed by Herndon herself. Here, she takes us thru the blurred lines of its artistic provenance.
Milan Ring plays ‘Step Back’ live and chats origins, dream gear and bullying
SMAC award nominee for Next Big Thing and all-round creative juggernaut Milan Ring stopped by Arvos for a chat and a sing.
Shogun and the Sheets, and the disco and the masculinity and the acid
“As a 38 year old with a face like a smacked arse I’m not, like, psyched as to do a video but y’know it’s kind of an audiovisual world”