Review
Grime on the sails: Skepta takes the Opera House underground
Less of a performance, and more of a coup – Skepta storms the Opera House setting a new high-grime mark for the genre in Aus.
Exhibition: SUPERNATURAL and the thrill of the unreal
White Rabbit Gallery walks the line between the terrifying and the thrilling with their new exhibition, SUPERNATURAL.
Big Screen: Mary & The Witch’s Flower
There was a hole left in the film industry after Miyazaki quit as Studio Ghibli’s director. Who will step up to fill the void? James Ross reviews the latest offering from the legendary creator’s protégé, Hiromasa Yonebayashi.
Playmate: On The Border of Things
A talk, a bilingual performance piece, a video and an immersion into farm life – all in a small garage in Erskineville.
The Hanging: Moving Histories // Future Projections
One screen, ten of Australia’s leading female artists. Moving Histories // Future Projections brings together a series of video-based artworks to critique the impact of film throughout time.
The Hanging: Not Niwe, Not Nieuw, Not Neu
It almost feels like a visit to a small scale museum of natural history, that’s if the museum was also staging gut-wrenching irony… Now showing at 4a Centre for Contemporary Asian Art.
The Hanging: The Last Resort, Kaldor Public Art Projects
A site of early contact between colonists and Indigenous Australians, Observatory Hill reverberates with ideas of history, land and culture for Anri Sala’s ‘The Last Resort’.
Why we need Antidote Festival
It was like we were in a club and it was good to know that this club could fill the seats of the Opera House. And that’s important, because it’s dark out there and sometimes we all need to “get together for a ridiculous, fun and boozy shin dig” (Opera House style).
The Hanging: Synthetic, Australian Centre for Photography
Let science fiction push the limits of your imagination at the Australian Centre for Photography’s latest exhibition.
Hand-drawn review: Portraits of Men at Verge Gallery
Very Important White Men are stripped nude (conceptually) at Verge Gallery’s current exhibition, Portraits of Men.