Audrey Pfister

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Glitter than this: A review of HTRK at the Sydney Opera House

“I was curious how this tender kind of introspective, hyperpersonal, and emotional music would translate into a public listening setting at the Opera House. After all, what does it feel like to play and/or hear ‘lockdown’ music in a room full of people?”

When doomscrolling becomes doomspiralling: Enter The Lightwell review

Review of Ket Whiteley’s exhibition ‘Enter the Lightwell’ and how we understand Instagram as the new communal site of sigils, rituals, relics, expression, and spiralling.