Rather than beatmatching, fifteen year old producer Tobiahs chose to create echoes and harmonies in order to blend the tunes in his soothing Fade Up mixtape.
So there’s this weird, hypercoloured dance music. Sable calls it kawaii bass, and you can listen to an exclusive 40 minute mix of it thanks to the talented Perth producer.
Once a drummer in metal bands, Empia now makes bright bass music on the opposite end of the anger scale. Get to know him inside.
Much like his production, this mix sees Floria blending techno’s raw aggression with the warmth of RnB. It’s the second part of his autumn residency on FBi. Dig in.
If you spell De’Kcuf backwards it becomes a lot more aggressive than you thought, but the music made under that name has got bite at face value. These guys are a Sydney production duo who are all about heavy bass under agile percussion, and they’ve put together twenty minutes of tunes that’ll bash your brain in.
People misspell her name and mispronounce her song titles, so it’s a good thing that Tink can throw down behind the decks. Stream the first mix of her autumn residency on FBi.
Jad Lee is so intent on splitting himself between different creative endeavors (Mitzi, Twiggy Lashes, and now this) that it’s come to the point where he’s in a production duo with himself. It’s all (kinda) explained inside, alongside a short mixtape.
Fans of all things bassy and British, Platform 19’s first mix of their autumn residency puts a high-tension trampoline under your butt. Sink your teeth in mates!
Floria’s appeal lies in the way he mixes genres together (namely RnB and techno), but the way he mixes songs together isn’t too shabby either. Hear the first mix of his residency on The Mixing Bowl.
Some humans are raised by wolves and end up kinda strange, but this is a wolf that was raised on rock and electro; the result is glorious. Listen to Maximum Wolf’s Fade Up mixtape.