The Infamous Gaspar Noé

FBi’s Filmlordes Jack and André had the pleasure (and pain?) of interviewing Gaspar Noé, one of cinema’s most debated provocateurs.

Saba on making art out of grief

Saba raps with Tanya Ali about turning grief into art, turning the lyrical microscope back on himself and hometown Chicago turning kids into adults too soon.

Charli XCX goes all in on Arvos with Darren Lesaguis

Following her sold-out sideshow at the Metro Theatre, Charli stopped by Arvos with Darren Lesaguis for FBi’s most Millennial™ interview ever.

CLYPSO and Kwame on finding Middle Ground

CLYPSO and Kwame chat about life at 15, what they’re looking forward to at FBi Turns 15 and their bangin collab ‘Middle Ground’.

A Bastard Like Me: Paul Kelly on the release of album #24

The myth, the man – Paul Kelly chats to Grace about classic poetry, keeping his finger on the pulse four decades on and his 24th(!!!) album ‘Nature’

Sam Simmons, fatherhood and the Radical Women of Latin American Art

The slightly absurd Sam Simmons yacks about his Yack Festival show ‘The Radical Women of Latin American Art, 1960-1985’ and whether or not you should procreate. 

Premiere: Manu Crook$ shares his anthem for Sydney – ‘Best Years’

Manu Crook$ dropped in on Arvos with Twitey to chat about the deafening buzz surrounding him and to premiere his dank new trap tune Best Years featuring B Wise and Lil Spacely

DISPOSSESSED on the resurgence of politics in music and what W.A.R. is good for

Before their headline show at the Fundraiser for W.A.R, Jarrod and Jacob from Dispossessed came through for a politically-charged chat with Darren Lesaguis.

DMA’S talk tours, Kim Moyes, and the critical role of phone memos

Tommy Codling sat down with Matt and Johnny, two-thirds of DMA’S, and attempted to oust absent vocalist Tommy O’Dell and take up the vacated “Tommy” position. Controversial!

Jack River speaks on process, side-projects, and pirate names

“I feel like in my life, with anything I do, I can’t put something out there that doesn’t have hope. It has to seek change.”