If you can dedicate ten hours to ‘Making a Murderer’, you can definitely spend some time with one of contemporary art’s most exciting and evolving mediums.
An ode to the twisted, romantic and divine world of digital technology at Alaska Projects, curated by Nicholas Shearer and Finn Marchant.
In ‘Blackmarket’ there is no audience/performer separation, to experience the work you must fully participate in the black market.
George Egerton-Warburton steals a video camera, presses record, and begins a mad dash through Rome. This video footage is both the highlight and the defining work of Che Cosa! – an exhibition curated by David Capra for Wollongong Art Gallery.
Duality is a new exhibition at Firstdraft by Alexandra Clapham and Penelope Benton. In this exhibition, the artists explore a negotiation of their relationship as both partners and collaborative artists, and what you see is the weird, contradictory state of two distinct people trying to understand how to work together as one.
Connecting each work in An Imprecise Science is the overarching theme of how our behavior feeds back into our experience of life, with the result that the performer and the viewer are affected in different ways. In one video at the exhibition, the band performs one song non-stop for six hours, nine minutes and thirty-five seconds.
Everything from call of solidarity to a protection from external threats. They say national identity is formed through conflict. And 100 years […]
Gallery Barry Edulis Claire Healy & Sean Cordeiro and Shay Mazloom Getting drunk often goes one of two ways. You travel […]
Nothing feels as good as throwing your entire self and everything you stand for into something important and coming out the other […]