Review: Jessy Lanza at Magic Mirrors Spiegeltent (Sydney Festival)

“There is a physicality to Jessy Lanza’s music that is made for dancing – RnB basslines, house influenced synths, plenty vocal hooks and syncopated rhythms.”

Review: What Sydney can learn from MOFO

“There’s a sense of pride that comes with being a part of something that is so true to its progressive ideals.” Nerida Ross reflects on what makes Hobart’s MOFO festival so unique.

Review: Weyes Blood at Magic Mirrors Spiegeltent (Sydney Festival)

Joined on stage by Kirin J Callinan, Jack Ladder and Daniel Stricker (Midnight Juggernauts), Weyes Blood did what every artist aspires to: “She stopped time.”

Review: Cash Savage & The Last Drinks at Magic Mirrors Spiegeltent (Sydney Festival)

Calling on elements of Velvet Underground, Gun Club and Nick Cave, Cash Savage and The Last Drinks put on “one hell of a powerful, confident and intense show”.

Review: Football collides with contemporary dance in ‘Champions’ (Sydney Festival)

Hate sport? Love dance? Vice versa? ‘Champions’ at Sydney Festival just might bring you around to both.

The Hanging: Artificial Islands at FirstDraft

Explore a sand monument replica of Dubai’s largest artificial island, Palm Jumeirah, constructed by local workers paid $19 a day – the average wage of a Dubai construction worker.

Review: Moses Sumney at the Magic Mirrors Spiegeltent (Sydney Festival)

Moses Sumney warmed the Spiegeltent with hypnotic loops, self deprecating banter and a song dedicated to Sydney’s housing market.

Big Screen: The Edge of Seventeen

“The Edge of Seventeen is charming in its sincerity, even if it does think there are nerds in high school with six-packs.”

Review: Chance The Rapper at Field Day 2017

“For forty five minutes, Chance the Rapper made us all feel like better people.”

Big Screen: Rogue One: A Star Wars Story

“There’s never been a better time to be a Star Wars fan. Not only are we getting new films in the franchise without a Jar Jar Binks in sight, the movies are being made by directors who love the series as much as we do.” James Ross reviews Rogue One.