“There is a physicality to Jessy Lanza’s music that is made for dancing – RnB basslines, house influenced synths, plenty vocal hooks and syncopated rhythms.”
“There’s a sense of pride that comes with being a part of something that is so true to its progressive ideals.” Nerida Ross reflects on what makes Hobart’s MOFO festival so unique.
Joined on stage by Kirin J Callinan, Jack Ladder and Daniel Stricker (Midnight Juggernauts), Weyes Blood did what every artist aspires to: “She stopped time.”
Calling on elements of Velvet Underground, Gun Club and Nick Cave, Cash Savage and The Last Drinks put on “one hell of a powerful, confident and intense show”.
Hate sport? Love dance? Vice versa? ‘Champions’ at Sydney Festival just might bring you around to both.
Explore a sand monument replica of Dubai’s largest artificial island, Palm Jumeirah, constructed by local workers paid $19 a day – the average wage of a Dubai construction worker.
Moses Sumney warmed the Spiegeltent with hypnotic loops, self deprecating banter and a song dedicated to Sydney’s housing market.
“The Edge of Seventeen is charming in its sincerity, even if it does think there are nerds in high school with six-packs.”
“For forty five minutes, Chance the Rapper made us all feel like better people.”
“There’s never been a better time to be a Star Wars fan. Not only are we getting new films in the franchise without a Jar Jar Binks in sight, the movies are being made by directors who love the series as much as we do.” James Ross reviews Rogue One.