A site of early contact between colonists and Indigenous Australians, Observatory Hill reverberates with ideas of history, land and culture for Anri Sala’s ‘The Last Resort’.
It was like we were in a club and it was good to know that this club could fill the seats of the Opera House. And that’s important, because it’s dark out there and sometimes we all need to “get together for a ridiculous, fun and boozy shin dig” (Opera House style).
Let science fiction push the limits of your imagination at the Australian Centre for Photography’s latest exhibition.
Don’t miss Campbelltown Arts Centre’s complex, compelling new exhibition; a letter to Campbelltown from some of Sydney’s most interesting young artists.
Dark Mofo calls us to shut our mouths, even if just for a moment, and listen. Jess Hamilton explores ‘silence’, the theme of this year’s festival.
Putting together the pieces at the Australian Centre for Photography’s latest exhibition.
“Even the villains of the movie blow most other Marvel films out of the water. The Guardians aren’t chased by generic bad guys… They’re chased by former employers who are p*ssed that the team broke their contract.”
Smith’s series of oil paintings pays homage to an avant-garde romance on celluloid.
From the big guns to the dark horses, James Ross has prepared a tip sheet so you don’t miss out on the best of the Sydney Film Festival preview program.
Vibrant art took over the small NSW town of Kandos in April for a festival like no other.